Search
Welcome
Director's Foreword
Credits
About the Collector
Biography of Allen C. Davis
A Passion for Collecting African Art
Interviews with Allen Davis
Catalogue
Dan People, Liberia
Catalogue 1
Catalogue 2
Catalogue 3
Catalogue 4
Catalogue 5
Catalogue 6
Catalogue 7
Burkina Faso and Mali
Catalogue 8
Catalogue 9
Catalogue 10
Catalogue 11
Catalogue 12
Catalogue 13
Catalogue 14
Catalogue 15
Catalogue 16
Catalogue 17
Catalogue 18
Catalogue 19
West and North Africa
Catalogue 20
Catalogue 21
Catalogue 22
Catalogue 23
Catalogue 24
Catalogue 25
Catalogue 26
Catalogue 27
Catalogue 28
Catalogue 29
Catalogue 30
Catalogue 31
Catalogue 32
Catalogue 33
Catalogue 34
Catalogue 35
Kuba People, Democratic Republic of the Congo
Catalogue 36
Catalogue 37
Catalogue 38
Catalogue 39
Catalogue 40
Catalogue 41
Catalogue 42
Catalogue 43
Catalogue 44
Catalogue 45
Catalogue 46
Catalogue 47
Catalogue 48
Central Africa
Catalogue 49
Catalogue 50
Catalogue 51
Catalogue 52
Catalogue 53
Catalogue 54
Catalogue 55
Catalogue 56
East Africa
Catalogue 57
Catalogue 58
Catalogue 59
Catalogue 60
Catalogue 61
Catalogue 62
Catalogue 63
Catalogue 64
Catalogue 65
Catalogue 66
Catalogue 67
African Voices
Clemente Abrokwaa
Rebecca Y. Bayeck
Grace Hampton
Josette Kafando
Nadhir Muntaka
Joseph Vandy Sengeh
Events
Installation Views
Highlights from The Exhibition Preview
Lectures and Programs
Context Image
Item Set
Title
Context Image
Items
of 8
1–25 of 194
Advanced search
Title
Identifier
Class
Created
Ascending
Descending
Sort
Kathy Curnow, "From 'Nomoli' to Export Ivories"
Christopher Steiner, "The Missionary as Collector: Dr. George W. Harley in Liberia, 1925-1960"
African Brilliance installation views
"African Brilliance" Virtual Gallery Talk with Bill Dewey - April 20, 2020
Sowei masquerader with attendants, Jayama, Sierra Leone, 1990.
Sowei masqueraders with attendants, Liberia, 1987.
Mapiko dancer entering a village accompanied by a lipalipanda player.
Portrait masks that depict national heroes as well as performances that commemorate historical events are an artistic legacy of Mozambican socialism.
Zande warrior (circa 1950) holding a throwing knife and shield.
Hamar with body scarification.
Bashada at rest.
Hamar with painted body holding his headrest.
Drummers performing at coming out ceremonies, 1974.
Paternal aunt displaying the mwana hiti trunk figurine she will give to her niece, Kwere, 1989.
Attendant to a female titleholder displaying gourds while she explains them to translator Eddy Mgobo, Bagamoyo district, 1974.
Carver working on a mbuzi coconut scraper, Kisarawe district, 1988.
Commercially produced dolls used as ere ibeji.
Kouakou Akissi Mirabelle holding her spirit husband figure, Kami, 1996.
Kouassi Nguessan Louis (Known as Kangah) and his sprit wife, Kami, 1994.
Kouassi Kouame and his spirt wife, Kami, 1993.
Spirit wife shrine, Kami, 1978.
Other World Figures (Blolo Bian, Blolo Bla).
Bush Spirit Figures (Asie Usu).
Ground plan of the Temne am-boro mar-sar.
The Temne am-boro ma-sar.
of 8
1–25 of 194
